tv [untitled] November 18, 2013 5:00am-5:31am PST
he will explain to you the movie, tell you the story he is so much into it, and visually, so much into it. he gets very upset, then he can already imagine how he should like it to be. it is very beautiful because you can see how intent it can be and how the movie becomes a world. it is very specific at some times. for example, the apron of the made from valencia from the 1960's. ok, so i have to go to the market and find one. i not know exactly the apron of the maid of valencia in the 1960's.
housewife, sorry. not a mate. it is not abstract, let's say. but specific in the color, which is absolutely inspiring and fabulous to go into the story. the movie was the cook, the thief, that one -- with helen merrin, who is absolutely fabulous -- helen mirren, fabulous actress. he showed me some painting of rembrandt and said, "uc that? could you do the in modern, in today? and i said i will try. yes, but it is part of the job. so i tried. i worked with a dutch artistic director, and i get to work with
him. he was very specific and fabulous man. also, they were very specific about the color. in reality, they asked me because the color is a little like in the spirit. it is something in common. i was flattered to do that, but it is beautiful to see how much they are -- our work, our demand is to make a beautiful movie. i should not be able to do anything. i never thought about it, but when people ask me, you have to be so clever. >> tom ford made a movie, so why
not you? >> because my brain is not that sure. you have to think about so many things. truly, it is a big work. you have to be strong. you have to take care also of the physiology of the actor which is, like, oh, my god. you can be depressed. also, you see the depression of everybody. i do not want it. i have enough of my own. >> i hope you will be sharp enough to answer the questions the audience has for you. rather like the academy awards. [applause] these questions have come through on various means. can we have the first question? >> the first question -- i am going to compile a group -- a lot of people are asking what is currently inspiring new?
from different cultures, the internet, textile design -- what exciting things are you seeing in contemporary textile design? and what are you reading? >> definitely, that is very sad, but i have not enough time to read. that is the very sad part. so i'm not enough reading, but i'm getting older and getting closer. now that nobody is doing any more reading, i will read. no, i think honestly, it is a question of time, but reading, to bring inspiration, but that is the problem. i get into a book and say that i can make a collection of that after, like, three lines.
one time i did an existentialist collection years ago, and i was thinking, so i read a book to no more, to get into it, and sometimes, the explanation can teach you. i read about it and i learned and understood. so i did the collection with my interpretation. i tried to understand the base, the concept, so it is good. you have to read, definitely. >> creativity is so difficult to define by creative people because you just do it instinctively. you were telling me that last night, something inspired you,
and you went back andrew your next collection until 4:00 a.m. what inspired you? do you know what set it off? >> i think it is image sometimes. one that you do not expect can be also a surprise. it was not the case here today. yesterday during the night, it was more like an image that i have seen or received little and i did not know how to treat it. something making me think about it yesterday. after it came and i wake up, instinctively it came like yes, i could do it like that, so i wrote that to remember, and after i was into it, it was very exciting. yes, i find it because always, you are looking for something, you did not know what. until it becomes more concrete,
it gives you -- i need to have that direction. it is a real pleasure. sometimes also like some things in fashion that you get a reaction, can be somebody walking, moving in a way where there is no pocket, but it should have been a pocket. you see the desire or what should be good. food is visual for me. >> can you think of one single example of something that you saw -- i do not know, a green leaf or something on the internet or something in a movie -- something that
directly inspired you that you were almost drawing a minute later from it. >> i think it was years ago when i did my constructive collection. my graphic assistant had a book with her. i loved everything, but it is like a physical reaction. like if i want to eat it. but he made me think about food. it was truly like a beautiful color. it was constructivist, you know. it was so beautiful. they were so perfect that i wanted to have it all. so i make a photo of all the book, and i wanted to have all around me to get into it and to see through that, so it was --
that is one thing. another thing -- >> one is enough. >> you know what, there is too much selection on the internet. i like the motion, which i mean like surprise. i go somewhere and find something i did not expect, it is there that i have the real shock. i have my reaction. sometimes it does not happen. sometimes it happens late. what i do in that case, i will not tell you. [laughter] >> that might lead to the next question -- what scares you? and then maybe not to be more in love with my were. fashion.
>> maybe you are scared that there might be one day -- i'm sure it will never happen -- when you do not have the energy anymore? that scared of a piece of blank paper and a collection coming up in six weeks -- that does not scare you? >> yes, but i tried to protect myself. for example, i go to a flea market, and nt place. when i see something that i find interesting, even if i have no interest in anything at the moment, i say that one day i will do something from that. i know that there was work on it. i think i have to burn it, because at the end, i take too much time to look at it. but, yes, i mean, to be honest, i think will realize what time that i have no more of the
passion, which will mean i will stop. i think it is better. honestly, before i was doing that profession, because i was not at peace with the fact that i was rejected, so i was inventing a lot of things. at the moment, i started to work -- i finish. because i do the things that i'd love to do, why should i live now. there's no reason to lie? because i am accepted through my work? why should i lie? because i do not want to live again in my old days. but i will always interested in fashion. >> the next question is for both of you -- how is it in the
fashion world for larger size women? >> i will answer this first. i was so happy when beth ditto appeared in one of jean paul's collections. she is a terrific woman and quite rotund in size. i have not quite caught up with her yet, but i certainly am no little stick. i personally thinks one of the things he should be admired for is not to bring the tyranny of fashion to women. he has, as he has explained, done a lot for diversity in terms of skintight but also diversity of styles and shapes, and i think that was the reason for a round of applause. [applause]
>> there is one diversity also which is important, age. i should explain because you know in fashion, a terrible because there is always racism about age. one of the races and is in fashion which i am absolutely against. how could i be against age when i have a grandmother that let me do anything and what it, gave me optimism and positivity? i think people that are old and have experience, you can learn a lot from them, and there are maybe sometimes more sweet than the grandparents. i think age also is something important. i remember, i wanted to do what a collection one time with only old people, and they told me not to do that because we do not
like to see ourselves projected as old. and i did not do it. sometimes i did not listen, but at the moment, i knew i had to do some testing, and i had to show the beauty through the edge, so i will do it one time. maybe it will be my last collection. i will be part of the show, and i will walk. >> your final question comes from a twitter question. what advice do you have for young artists and designers to be successful in the world with so much competition and talent? >> i do not like to give advice. i know only my passion. what i can say is if you truly love fashion, you want to do a
profession with fashion, you see -- they will find solutions. the things in fashion is to be right of with the moment with the society, with the desire, with what people need, and to understand also economically. of course, now, we have a moment where economically, there are a lot of things. it is reality. so knowing all that, you have to make the decision and find a solution about it and propose the right things. the ones who say that what to do the right thing for now, they will get it. only courage and love what you
do. it is marvelous work. i am lucky because i do the work i love, and doing it, i love it even more. it permits need to be accepted and loved. if you receive love, you can give love. [applause] >> we cannot really have a more beautiful ending than that, but i am going to use my chance just to ask one last question. do you believe that you have marked fashion history? >> it is difficult to say. is it my purpose? i do not know. i think that's everybody is
marking fashion history in a way. as much as journalists because they show the people. what is fashion history? some old clothes that you can find may be in the free-market? books, magazines, newspapers? i think that i am part of that, but to think that me, i'm mark -- i do not think so. it is not exactly my purpose. it really seems very selfish to do what you love. >> i'm glad i managed more or less to silence you with my question. [laughter] i would like to say that i believe you have marked fashion history in the best way by creating clothes, which have been a mirror to society as it changed and as it happened, and you will be known for that as much as for the beauty of the