if i didn't have them i don't know what i would do, kind of thing. with samurai's garden i brought it and they never know what to expect from me. one said today, you never write the same story. i always feel i am writing the same story in all the books i have written because there are themes that go through my books consciously i don't sit down and say i will write about duty. or i will write about family. or i will write about world war ii god forbid. it somehow goes through every book i have done even when i tried not to. samurai garden is an example of quintessential set before world war ii, both of my cultures and everything i wanted to do and taught me what it meant to be japanese. that's taking liberty to saying taught me what it means to be japanese. i can't know exactly what it means to be japanese but it gave me a culture. a culture i realize that was a lot japanese. even though i hadn't grownup in it and i was as american as apple pie in so many ways that i started to learn more about the culture and i thought, i'm more japanese than chines

i love art and i love music and i research everything i do. i don't just show up. you know, maybe i'm not like as a gifted singer as most because i don't -- i can't like just walk in and sing on top of a band. because if i hear something that disturbs me, i can't think. >> but you have got one of the most distinctive voices that modern music has ever heard. you could not be anywhere in the world and when one of your records comes on not instinctively know it's you. and there aren't many singers like that. >> well, i arrange the music around my voice. >> it's a great voice. it's like a straight dark side of the queen's voice, isn't it? >> i don't know. where is that? >> i don't know. some dark street in queens. >> really? >> because we grew up, mother, daughter, sister, brother house that had shingles the color of good & plenty candy. i always wanted to eat it but now i know what made that color was asbestos. >> when you go back to queens, you must like a heroine. >> i always felt embarrassed. i always tried to learn how to talk and everybody's

i mean i was already turning out who i am when he died. the one thing that i know that he would have been really happy about is that i was married to ted turner. i found out after my dad died that he was fascinated by ted turner. dad loved the news. he was an avid reader of the news. and he told a reporter that once interviewed me that he thought that ted turner was the greatest guy in the world because he started cnn. and dad never -- well, i kind of -- there was something about -- ted and i -- the cover of "esquire" once had this part of the picture was ted and this part was me or maybe it was the other way around and when you put the two halves of our face together it was my father. ted reminds me in many ways of my father. they both loved to fish. sometimes i'd be out there on a stream fishing with ted and it was like my dad was there. and i just thought, dad, i hope you know that i actually married this man, who you loved and admired so much. >> i had lunch with ted turner a few months ago, and i thought he was an utterly compelling m

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okay, i know i was born a male. i know that. that i do know, but i live as a woman. i see myself as a woman. i like to be respected and addressed as a woman. my ex-husband, my deceased husband, he was very overprotective. he just -- he used to beat on me. beating me, beating me. i manipulated to get away from him, ran up to the kitchen. you know, they had this knife set. the biggest handle that i seen, i grabbed it. and i ran outside, and he was standing there. i just stabbed him. he fell. i stabbed him again. they grabbed me, and i was covered in blood. they called the police. i still had the knife in my hand. they came and retrieved the knife and handcuffed me. i've been locked up ever since. >> once locked up, marcus was quick to develop prison romances and is currently on her third prison marriage. >> i see him as a man, a straight man, that's how i see it. you know? he's a man. he's my husband. i'm a woman, and i'm his wife. let me wrap my hair down. we exchanged vows, you know. he opened his heart to me, i opened my heart to him and we vowed to be best friends

and i had to endure brain surgery while i was awake. i was put in a hospice. while i was a hospice, i used medical cannabis which helped me to survive. i wanted to use this to help others achieve safe access. i have been at every patient advocacy committee meeting and i am proud of the work that we are doing. i also attended the task force meetings this year and i feel that i can use my life experience for this committee. i assisted my vietnam veteran friend at a veterans hospital. the canvas that i brought him helps him with his issues and unfortunately he died on february 22nd this year. there are many others who can benefit from this amazingly effective medicine and they are not receiving it. i hope that you will consider this. thank you. >> thank you. i want to note the correction that this was not to and 10. next, we have leonard watkins who got a chance to speak. is he here today? he did speak at the last meeting so i let him know he did not have to come back. next we have martin all live and then sarah -- next we have martin olive and the sarah shrader.

it was not what i intended to do when i was a kid. i really lucky and i do enjoy it. it takes me sometime tutor -- to forget that the camera and the crew are there and feel comfortable. with stage, you have two or three hours and no one can tell you to stop. you cannot see anything because the lights are so bright. you can fall into that world that you cannot -- in a way that you cannot when someone is yelling, "action! cut!" if you come on and you do mess up, you have two hours to redeem yourself and find your way back in. it is kind of exciting. i like that. tavis: is this for real unfolding the way you thought it would when you got in the business? with every move you do, the expectation grows and you keep doing these projects that generate oscar buzz. i am curious as -- i am curious if this is rolling out the way you thought it was? >> no. i just wanted to do plays and i wanted to -- i thought it would be amazing to be in film, but i wanted to be in theater. just to work consistently as an actress is beyond anything i thought. to be doing it with the directors and

i cannot tell you how enthusiastic i still am when i come to work in the same way i was enthusiastic when i started as a legislative aide here for another supervisor in 1994. that has never waned. every day that i come to city hall, i cannot tell you just the great delight and pride i feel in being part of this institution. it does not matter if we have different perspectives. i never ever thought that was something to be taken personally. i did appreciate in every one of you and the supervisors who sat here who no longer do, the great debate in the great park that went in to try to improve one's district and the city. i appreciated that. i appreciated it when the debate became spirited. i've walked away feeling satisfactory, even if it did not always arrive at the desired results. i want to take this opportunity to thank my staff present and past. i want to thank them for placing the journey with me. i want to thank them for knowing that i am not a 9-5 kind of guy, i never have been. and i demand a lot of people. when i would bring people along, i tell them i am a little bit of a bo

. >> i don't feel i am the greatest anything, i feel like i am developing. as far as i am concerned, i am still proving it to myself all the time. tavis: that was 1986, do you feel that same way? >> exactly the same way. tavis: at 81, you are still getting better? >> even though music is one of these things that which, fortunately, there is no and to music. if your the person that can absorb it, it can do more. i am that type of person. i have been with some great musicians. and i know what to the greatness is. there are great musicians coming up. i don't think i am there yet. i am still practicing every day. i am still composing, and i am innocent. i am not sitting back and playing golf. that is not my style. tavis: i believe in practice, but when you are the master of this, what are you practicing for every day. not just minutes, but hours every day. >> hi practice for two hours or more if i have the strength of the stamina. it is something that is -- you say, this is why i am so lucky. jazz is not something that you can put in a book and practice, this is

i got that wrong didn't i? [ male announcer ] want great taste and whole grain oats that can help lower cholesterol? honey nut cheerios. tdd# 1-800-345-2550 you and your money deserve. tdd# 1-800-345-2550 at charles schwab, that means taking a close look at you tdd# 1-800-345-2550 as well as your portfolio. tdd# 1-800-345-2550 we ask the right questions, tdd# 1-800-345-2550 then we actually listen to the answers tdd# 1-800-345-2550 before giving you practical ideas you can act on. tdd# 1-800-345-2550 so talk to chuck online, on the phone, tdd# 1-800-345-2550 or come in and pull up a chair. can i help you? yeah, can i get a full-sized car? for full-sized cars, please listen to the following menu. for convertibles, press star one. i didn't catch that. to speak to a representative, please say representative now. representative. goodbye! you don't like automated customer service, and neither do we. that's why, unlike other cards, no matter when you call chase sapphire preferred, you immediately get a person not a p

i know it is. >> i think it will. i won't tell you why. you'll start looking around your kitchen in various places and thinking, i don't feel so good about certain things. you wait, you'll see. >> where do you get this desire to scare people? >> you know, i don't know. but when i was a little kid, i was always writing stories and illustrating little books that i would create. and the kids loved me to tell stories to them. i was the favorite babysitter starting at age 12. i remember one day on a vacancy lot with two little boys my neighbors and i started telling a story. i scared them so badly that they started crying and ran home. i realized i had this ability to terrify people. i felt terrible about it. i'm carol as i write the books today, i want to hold people in suspense but i don't want to give them terrible nightmares. i fear i failed at my kindness. >> you're one of the best people to ask. what is it? >> you have to have really good characters. if you don't have somebody that you really want to spend time with, it might be -- it's g

i started because i love dogs, and i realize that as much as i put into it, i will get out, and it has worked that way. i have gone to numerous dog classes, taken dog first aid, and i am certified. i also own a two dogs. i take them with me every day. if i have to cut my number is 25 orszag 6, that is going to cost me money, something like $10,000 every year, and i do not think that is there. i think that does not have to be done. all of our dog licenses are different. we work for our clients. sometimes i work on sundays and help them with their dogs, and it helps people have well- behaved dogs. i feel it is hard to micromanage a group that is the difference, and i feel that some of these restrictions are micromanaging us. i personally do not want to wear a lanyard. i would be ok to carry a card in my wallet if somebody does ask me, but you can see me and know what i am doing. it would be great, people have a huge packs of 16 to 20 dogs, or at least they have a helper to manage such a number. i feel that the $250 is too high for people starting a business. what if they do not know anyb

. >> guest: i do, i do. steve jobs had this very long-running policy that he responds to e-mails, sometimes to the and so, yes. i give his e-mail address, and i tell people to write about their experiences here in the theater. and if they have questions, you know, ask them. asked apple to be opened with them. and he's responded to a large number of people who have written to him about this. and a number of those people have forwarded his responses to me. and so, i know he is aware of the show. he has not seen it. but i know that his principal response ase -- well, basically it's like, i don't think mike appreciate the complexities of the situation. which, you know, i think is a fight response. it would actually indicate some degree -- that it be the recognizing that there was a situation. and then, you know, if someone from apple wanted to talk about the complexities of 12-year-olds putting together a electronics, i'd be happy to listen to that conversation. c-span: i found the list of companies that use fox

i still -- i mean -- the way i looked when i was 19 years old. coming to new york for the first time and a fan of all the, you know, patti smith and television, the ramones and blondie and talking head and these were my heroes. and it's like -- i'm going to walk the street and i'm going to see these people. and i didn't, of course. [ laughter ] but -- i wore my best outfit from athens, georgia, which i bought at the thrift store. i had these green, pointy shoes. that were like church shoes from 1974 kind of green and pointy. and then i had these -- [ light laughter ] >> kermit: i know, i know. that's a great place for me to butt in but i'm going to let him keep talking. [ light laughter ] >> jimmy: green, pointy shoes. >> kermit: yeah, sorry. >> but i had skin -- kermit, i had skin-tight, wide wale corduroy, banana-colored pants. >> kermit: wow, wow. >> piggy: you should try those, kermit. >> kermit: thanks a lot. [ light laughter ] >> jimmy: i mean, that was your best outfit? >> and eye makeup, of course. but that was it. >> jimmy: and eye makeu

said i do i do i do i do i do ♪ ♪ you know i do i said i do i do i do i do i do you know i do ♪ ♪ i said i do i do i do i do i do you know i do i said i do i do ♪ ♪ i do i do i do what it is what it do homegirl ain't got a clue if i get you open all ♪ ♪ the things that i would do to you smack it up flip it down weigh it up break it down ♪ ♪ lean you to ya side yeah and ask you who's ya' daddy now ♪ you ain't even got to ♪ open your eyes know what ya' looking at and i ain't have to open my eyes when ♪ ♪ i was cooking that guess it was love at first sight eye contact remember the night we ♪ ♪ first met i call it contact now she my ride or die it's us against the world you know we both hustling ♪ ♪ so hustling is our world i must've had too much to drink i'm in my g mode so all the ladies repeat ♪ ♪ after me cuz its the gcode promise if i get locked you'll come and pay my bond if you hear some plotting ♪ ♪ on me you'll ring the alarm and every time you give it to me it's gon' be the bomb and in these ♪ ♪ unlucky streets you gon be my lucky charm ♪ â

i do hope i can walk that dog ok y'all. >> and i know you can walk your dog on the land, the best that you can, walk your dog you can all the doggie fans. what a city plan, to walk the dogs on the land. walk the dog that can the best you can. you walk the doggie. i want you to walk the doing, you can, the best that you can, walk 'em on the city land that you can. what a city plan, and land commission land. walk a doggie you can on the city land ♪ >> thank you, mr. paulson. >> that is tough to follow. i will do the best i can. >> we try to get them warmed up for everyone. >> my name is natalie. i am a dog walker and trainer. my company is called top dog ss. i want to say thank you for all of your help. your feedback as been great, and you are responsive and helpful. thank you. i think it has been an overdue net for a long time in our profession. a couple of things i want to talk about is the number of dogs. i think you can have four really bad dogs or you can have eight great ones. it is in terms of enforcement and regulation. i hear a lot about everybody having a hard time for fundin

enoh, i said to when i finished it i said "i found it hard to find anything i wanted to play." and he said "do it again." because he's played it several times. >> rose: are you going to do it again >> no, i don't thinkly. there are too many other parts. >> rose: does it have to do with orders, what comes into the table, as to whether you go into the theater? because you have to plan these things and now that you have kids is it more interesting to stay at home, be close to home? yes, it is. it's certainly... it's more fun having that routine but having said that when an opportunity arises that is irresistible and an opportunity for the family, you know, upping sticks and moving to an extraordinary new town or country a wonderful experience and i think it's not... you know, it's easy to look at the down side and say gosh that can be an uplooefl. but it's exciting to take your family to a new experience. i'm quite methodical about planning it. >> rose: methodical? >> yeah, i'm aware of keeping an eye on how long we've been away and honk we've been at home and how long i've bn on

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>> i did, in i believe i did much more. -- and i believe i did much more. >> what i think is that there is a disagreement of what the powers the chairman has in the statute. that seems to be an underlying factor, and that is not a new disagreement. i go all of the way back to 1999, 1990 report on this ambiguity we have on the chairman's role in the commission's role continues, and it goes on. a less than harmonious interaction. it seems the members of the commission always think they have more responsibility, and since they have a large role, and the policy decides but the full commission, and management resides with the chair. it seems to be the same thing going on now. i look at a report going on in the commerce and energy committee, and i am troubled, troubled by the fact that his conclusion in that report draws some very concerning point. he says after all of the records that he asked for, voting records, emails, memoranda, materials related to the event at fukushima or the nic's response to it, he said the attempted to delay or otherwise affected, he says they conspired with each o

i don't think i have that much of an ego. i really -- i really don't. but i studied dance for a long time. in my 20s. and when i was studying dance, i remember my instructor saying when you were -- when you dance, he said admire yourself. so i learned from that, yes, admire yourself, because if you don't then you don't really care that much how you look. >> and also, if you're in the business where your appearance is part of your business, you have to be vain. you have to have an ego. you have to walk on set and believe you're pretty good. >> yeah. right. >> to exude that air. don't you? >> well, i try to. you know. i just did a movie of where -- i was a lady's love interest. and i don't think i've ever done that before. >> you played a lady's love interest finally? >> yeah. >> i didn't think you'd ever play that kind of role. >> me either. >> what made you crumble? >> well, it just -- it came my way. you know, and it would have to wait until i'm at this advanced stage. >> you're 74 years old. i find that incredible to believe. >> well, i was born june

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well i -- i threw my first outside party when i was 21 and met the owner of bimbo's. i see all these pictures of frank sinatra and glen campbell and i said, what is this place? he was telling me, my place was the place where everybody would go to see big-name entertainers. that kind of inspired me. through my course of my career, and promoting, i felt that the only way to reach salable of any promoter is to own a nightclub. as you know, a lot of the city places are owned by former promoters of san francisco. what happened is, i built a business plan, the trucadero nightclub. a sister club of studio 54. the owner -- the neighborhood wanted to shut it down. abc and the police wanted to shut it down. the guy was definitely on his last leg. he asked me to propose something to put to renovate this club. first i thought it

i thought, right? what do i know about running? so i did. i did run in my small town of coma, and i won that year. i was running in a town where people stay in their seats forever. that was a big plus at the time. [applause] thank you. so when i ran, i did not realize the impact of regaining my position and

i knew i was in trouble. i kept telling myself, you know, it was inconceivable, enterprise corruption. i hadn't even heard of that charge until i was in court. >> four men of stealing bones from corpses and selling them to be used in transplants pled not guilty today. bail has been set for the four defendants with mastromarino's the highest at $1.5 million. their passports have been revoked for fear they are a flight risk. >> the battle lines were drawn today and we expect to fight. >> they were very confident that they were going to beat the case and their attorneys repeatedly told us that we didn't have a strong case and that wieldn't be able to prove it. >> they kept telling me that everything was going to be fine, that they had no evidence. we felt that he could just blame it on the funeral directors and walk away from this. mike. >> michael pled innocence up until the day i saw something so we earned a holiday trip to the big apple twice as fast! dinner! [ garth ] we get double miles every time we use ou

i thought i was handsome yesterday. got to look good for the lady. >> beauchamp is about to see a childhood friend with whom he had recently rekindled a relationship. >> beauchamp? ready? >> appreciate it. kind of odd not seeing someone after 20 years. she told me she just recently lost a lot of weight. but when we was younger, she wasn't that big. she said she lost 100 pounds. i don't care. i've been in prison so long, appearances, i've learned, are real deceiving. so i don't know. >> hey. >> you all right? >> yeah. >> long time, long time. we've got a lot of catching up to do. >> don't cry. >> i'm trying not to. >> you all right? >> yeah. >> nervous? palms sweating? >> no. >> you still look good. still got that smile. that's what you used to tease me with. when you wrote that letter, you didn't think i remembered, did you? >> no. 21 years. >> after i got out the last time was '94. i tried to find you and then again when i got locked up again in '96, i tried to find you. but i kept looking under bonita harris. >> you w

it was i. you once said i should beg for your forgiveness, and now i do. (sighs) it's my son who lies shattered, matty. and mine are the hands that bear most blood. he should not have died alone. and should not have lived believing himself to be so. (sniffles) no. it is unjust. it is worse than unjust. it is against the laws of nature. miss matty: do you recollect, peter, how hard our father tried to make you learn the classics? i recall more of his frustration than i do of the classics themselves. please sit down, matty. you're overtaxed. i did my utmost to assist you. i spent hour after hour hearing you repeat your lessons. it cannot matter now. there was one tale that lingered in my mind. to this day, i retain some fragmentary portion. it concerned a girl who dwelt in a place where no discord had ever been experienced. she was given charge of a capacious casket, and she was told on no account must she remove the lid. but her... her better judgment failed her, and she unfastened its catch, and all the furies of the universe came pouring out like flies. i

i mean, i was launched. i mean, i was set for life. and i hate to tell you that they didn't stay on every night, just that one night to let feel comfortable. but that generosity launched me and i never looked back. i soon learned the jazz world and pop scene was not for me. i have no credentials for that other than the desperation for work. and i left it. after having had some fairly decent responses to my effort. but i went do to the village vanguard and saw for the first time woody guthrie and and... >> rose: folkusic... >> folk music. and i saw ledbell lay week or two later and i found in this place where i needed to reside. this was the place i needed to be so i got into thelibrary of congress, i began to listen night after night to pete seeger, to the folk, everything to do with folk music and i tried to find my own place in it. i was not of the church. i didn't come from the black tradition except from the caribbean and i hadn't even paid attention to that fact now that i was in the world of folk music. but i've put the repertoir

i said i am going to go surprise him. i spent 2 days. >> simply because the world is coming to an end? >> i felt compelled. it was the moment i knew i had to turn the page. you just know. there is something that happens to you, i am going to turn the page. i was panicked. i was surprising him, he would have said no, i am too busy, i don't want you here. i spent a day running all over new york city trying not to freak out about the sirens buying flannel clothes, the right things for the orchard. this is ridiculous, i wear what i always wear, black. >> you are wearing a black cashmere turtle neck to the orchard? you can't do that. on the airplane, i am trying to learn the apple business. i have my files like a reporter. i realize i am treating my brother as if he was a source. i just wanted him to like me. i wanted to impress him. i had to do that little sister thing. the first rule was, put yourself into their world. the second part of this was understand how difficult it is and don't wait for a crisis, because the fact is

no, i-i... i'm very dull, i went to university and did a bit of acting at university- he's got an architecture degree. anthony: yes, i studied architecture. and then, um, and then went to drama school. that's it. pretty dull. no more- shush! interviewer: now many dramas concerning world world ii, honeysuckle, the parts played by women are very much on the margins where they play the wife or the sweetheart, but this is not the case with your character samantha. she's very much central to the action. was it important for you that she show the immense contribution that women made to the war effort? honeysuckle: yes, o-o-obviously because, um, i have a lot of great aunts and used to have two thriving grannies, now i've got one. and they were very kind of keen and to tell me what they did in the war, and what their efforts were. i think it was something they do feel very proud about. especially that generation, and because it paved the way for other women to, uh, to show that they were important to t

i don't know because if i was arrested and i was tortured i don't nt to have any information i would be able to give them. that's the assumption they're operating under. >> charlie: have most of them been touched in some wayby somebody i kne having been killed or injured or arrested. >> every singleperson i met had a storyither about a former colleague or a family member or a friend who has either been beaten or injured or arrested in some cases, even killed. but certainly every single person i spoke to. and the people i was dealing with is not just the case can you avoid arrest. they've been fired from your job for saying somethi slightly offhand, exactly. some of them can't even see their families because they're trying to protect them. mented they live in a constant state of fear and hiding. >> charlie: here's another reporting by clarissa ward. >> what is your message to president assad. >> leave noefore you know you will leave in the end but with more victims and with more sufferings of the people. so just leave and leave us to tar our new future, our new country. you got enough

>> i would say -- i don't really -- i do not understand newt. romney, yes, i guess he is a flip-floper, but the man is squeaky clean. on one hand you have a guy that doesn't so much as drink diet coke, and the other hand you have a guy that has had three wives and impeached a president for doing the same thing he was, shut government down, getting money from freddy mac. he was sequestered -- what was it sensored or something like that for ethics problems. i really don't understand. >> here is the thing, the republicans made, i think, a key mistake that the democrats -- the democrats were genius in 2006. they decided on a blank slate. they found the best candidate that had no past, obama. he was like a progressive ken doll. you could make him whatever you want. i think the republicans missed an opportunity to do that maybe with a rubio or an allen west. somebody that was knew. -- somebody that was new. >> they have to grow their own obama. it is like bionic corn. >> you need two things. you need the press to be complicit. they have to decide not

i think they mean it. i think so. i think so. but you know, it's a funny thing, it's when all you know. i felt that about my own folks. i just want to say one thing before i know our time is running short, i just wanted to say any

. >> jimmy: i know, i know, i know, i know, i know, i know. you're on a giant tv show. congratulations, by the way, that show couldn't be bigger. you know how much more ratings you get than my show? [ laughter ] please, you don't have to tell me, yes, i know, i know. >> the funny thing is because it's in every country in the world now, and --. >> jimmy: oh, really? big deal. [ laughter ] >> no, no, no, no! >> jimmy: our show airs in houston, texas, everybody! [ cheers and applause ] that's what i'm talking about. shout out. it must be great airing in all those different countries. >> yeah, i'll tweet afterwards and i'll be like, hey, thanks for the 23 million people that watched last night. and i get tweets from other countries going, that's twice of the size of our country. >> jimmy: yeah. i should be like, thank you, everybody, i tweet, i thank you everybody for watching "late night" juragan fluragan. over in sweden when they show that. it must be so fun, right? >> it's so fun. >> jimmy: and you kick -- and you're great at your job. >> it is because we love it. >> jim

i toll him that i was a jew. i told him that i was pro-israel, unconditionally that it is the-- that it was in-- he told me about islam. we had this harsh conversation. at thend of the conversation, he understood that the-- his old pattern of west against him, of jews against islam might not be as true as he thought. of course, there was a sort of, nobody convinced the other. i did not convince him. he did not convince me, even less. but at least the terrible bloody clash of civilizations pattern which was also al qaeda's idea, al qaeda and all these guys, really believed there there was merciless clash between them and us. they saw that it was not the case. this ors. the pilots of the french and british planes are powerless, coming and helping them. >> so you do not believe as someear that the arab spring will turn into the arab winter? >> no. i think that as all revolutions includi ours, french, french revolution, french revolution. >> especially the french revolution. >> especially, yes. there was of course te

i did know i felt very comfortable when i was on stage. i was very shy. i did not speak much. i was more comfortable with adults. my mother owned a hair salon and i was in grown people's business all day trying to listen to their conversations. when i got on the stage, my mother put me in dance lessons and i really loved it and i think, you know, when they saw me perform they were like, wait a minute, she's like in heaven and they realized that it was where i could step out of my shell and i just felt the most like myself. >> i felt like that last night watching you. it seemed like utopia for you and it couldn't get better and yet i keep hearing how shy you are. where do you get it from, how do you create that aura when by nature you're not really like that? >> i don't know. i think i -- for one, i'm not shy anymore. i am the person at the dinner party that is quiet and observing and having a one-on-one conversation. i get embarrassed when it's a lot of people and a lot of eyes and i'm still that way. i wouldn't say shy. but now, you know, on the stage i've been doing it for a

i cannot say that i have seen what has happened. because i have never seen anything. all i have hat -- all i've heard is their complaints. >> [speaking spanish] >> at the same time, i am asking each one of those parents to please get involved in the meetings and to participate. there is much to learn. there are programs that have talked us to measure so that we with more clarity some of the points we have been ignoring. >> [speaking spanish] >> please, i want to call everybody to stop this now. we are adults. we can resolve our differences in different ways. i notice has turned into almost a personal thing between the parents and the principle. >> [speaking spanish] >> any person that may come around, whoever he is, is going to be the same. there are always going to be rules and discipline. discipline starts at home. president mendoza: thank you. your time is up. thank you. >> [speaking spanish] >> good evening. my name is francisco. i have two children. they have been in paul revere for four years. several years ago, someone called

when i got into bed, i said to myself, i have to sleep fast. at that point, i realized i was out of control. tavis: was there a need or an expectation? was there pressure? why so much? >> i love the process of making motion pictures. particularly the original idea, starting with the original idea, developing the script, shooting, editing, working on the campaigns is fascinating and wonderful way to work. tavis: let's take them one at a time. how could you back in the day be so prolific comparatively so little money? got it might be the fact that i had so little money. i was shooting on 10 days schedule. now shooting been pictures. clearly i could not have made as many films. also, you can be a little bit more casual or more experimental. you can take chances that you could not taken a bigger film. with respect to hollywood and the way the process works these days, does it really take all of that to do a film? does it take all that to make a great film? >> i don't think so. i am certain if there are major studio executives here, we need all the

you are around ♪ i can't speak i can't speak ♪ i wanted you to know ♪ i know what your boy like skinny tie and cuff type ♪ he go and make breakfast you walk around naked ♪ i might just text you turn your phone over ♪ when it's all over no settling down ♪ my text go to your screen you know better than that ♪ i come around when you least expect me ♪ i'm sitting at the bar when your glass is empty ♪ you thinking that this song's coming on to tempt me ♪ i need to be alone like the way you left me ♪ you start calling you start crying ♪ i come over i'm inside you ♪ i can't find you the girl that i once had ♪ but the sex that we have isn't half bad ♪ text say that is not fair that's cold boy he's not here ♪ and i'm-a flirt with this new girl ♪ and i'm-a call if it don't work ♪ so we ... 'til it comes to conclusions ♪ all the things that we thought we were losing ♪ i'm a ghost and you know this ♪ that's why we broke up in the first place ♪ 'cause i wanted you to know ♪ that i am ready to go heartbeat ♪ my heartbeat i wanted you to know ♪ whenever y

i should tell you i actually ran twice. i lost my first race. then, went to law school and work at lawyers committee for civil rights. my entire year had -- my entire world has been the non-profit sector. i've spent very little time outside of that, and that is how i learned everything that i have. i thought maybe i would talk a little bit about leadership lessons, the things i have learned over my time. there are four i usually share with young people, but i find that to be relevant everyday in the work i do on the board of supervisors. the first lesson i learned was in college and it was the importance of community building. when i went to college, because of my years in high school working with the coalition for homeless and other youth programs, i came in my freshman year as one of those rah rah after this. many of you were probably those individuals yourself and know of folks like that. i wanted to change the world. i really wanted to challenge people, kind of that kind of energy. i remember my sophomore year i was on staff at one of our et

i, uh, i only buy ten at a time. i-i know, it's crazy. no, it makes perfect sense to me. it does? yeah, i mean, why have a decimal system if you're not gonna use it? ten at a time, it's brilliant. i mean, why 12? exactly. twelve--so arbitrary. what's this? uh, that's bubble wrap. protect the apple. did--did they do this for you? no, no. i bring my own. they--they always tease me about it. yeah, well, who's laughing now? look at that thing. it's perfect. whereas mine... it's all bruised and scuffed up. you're a genius. aw, i don't know about genius. i like your style, ya know? you play by your own rules. that's one way of lookin' at it, i guess. hal, hal tucker. adrian monk. yeah--oh, did i do that? oh, it's nothing. just a little juice-- it's nothing. you got to send me the bill for that. no, no. i have a hundred shirts just like it at home. i mean--99 now. well, i always pay my debts. adrian monk, i'm gonna look you up. i'm gonna pay you back. [police radio traffic] [camera shutter clicks] [music box plays] ♪ oh, i love this song. my grandfather used to sing it to me all the ti

so i don't do that. i keep a normal routine. i exercise. i read. i write. i watch a little bit of tv. i do some other things. that's what the day is in here. the same, you know, pretty well day after day, boredom and monotony. but, you know, some kind of a schedule is what keeps you focused and motivated to keep going on. so that's what you do. >> welcome to isp, meditation section. >> darren bailey, an inmate with a violent past, is hoping to find focus and motivation through meditation. >> now, this is a meditation called releasing of the mind. >> bailey was recently transferred from the prison's intensive detention unit to the residential treatment unit because the psychological staff believe he is an inmate determined to change his disruptive behavior. >> we all need to meditate, just clear our mind, clear our thoughts, clear our systems. push all that poison out of you, inhale fresh breath. >> once feared by staff and inmates alike, bailey has shown signs that his hair-trigger temper is subsiding. >> he had a significant challenge. someone called him t

when i was doing record, i kept saying i feel like i felt when i was doing "primitive love" and "let it loose." something that sounded fresh and new. what this record is kind of like a composite of everything in my past in little snippets but brought his incredible creative brain and of course my hubby and those producers. i think they are going to recognize the miami sound machine element, which is big on here prm we still have the big horns and everything. you still have ferrell and his taken to tracks. they are really going to love that mix. i'm hoping. i'm really excited about the record and i love it. i think they are going to hear what they love about the original miami sound machine but take it to today and through the mind overp ferrell and we really clicked. i got to tell you. you can't make that up. tavis: i'm glad you said that. i was going to ask what is the cool part or the challenge working a kid producing you from another generation? >> the challenge always is as a writer is this going to work? it is a very intimate process. i tend to be very introverted and when i wri