with an invitation to eat. >> osgood: next, paris.,,,,,,,,, >> osgood: land does 23409 live by bread alone but the baguette has long been a symbol of france. here is our man in paris. >> france is a country that prides it's on its bread. none is more paparazzi pew already than baguette. ten billion are sold every year. they have annual competition which compared this to be if the best baguette in paris. and this year for the% time ever the winner was an immigrant, rita. because this is the way a young person learns the trade. developing their skill to such a degree that they can ultimately take the ordinary and make it exceptional. this is what is known as an artisan. because he makes the best baguette every morning for the next year ridha will have the machine or of delivering the baguettes to the french president. how can you judge a baguette to say one is better than the other? >> listen to the way it sings, it's quite astonishing. >> professor steven kaphlan the expert on bread. >> to evaluate there are six criteria. first is appearance, it needs to insight one's desire to eat. t

: ahead, a breakfast >> >> osgood: ahead, a breakfast in beijing. >> >> osgood: an enjoyable breakfast in beijing does not necessarily involve cooking anything or eating anything. we join a sunday walk in the morning. >> walk in the park. >> a city awakening to stretch and shape, chase off sleep as morning light works into this ancient part in the china's capital it gives a colorful routine. some work on lowering tres through tai chi that, in a park that dates back to the ming dynasty, others test hand-eye coordination with the chinese yo-yo and some can be gently swinging cloth covered cages, they are carrying on a tradition called eonow or walking birds. once reserved for the wealthy, now it is a hobby for the retired. beijing, this bustling city of 20 million may be better known for traffic, pollution or the formality of its comist central government. >> but here in the park it shows its whim cal side. >> he and his wife retired from finance jobs in state run companies. they stumbled upon this group of ballroom dancers and brushed up before hitting the dance floor. >> we learned by

>> and later. >> she thinks my traps are sexy. >> osgood: country's kenny chesney.,,,,,,,,,,,, >> osgood: talk about driven. it is a practice with this remote controlled model, computer scientists are going all out to create a car where the driver is optional. the prototype stars in a nova series now airing on pbs called making stuff. our david pogue has dared to be a test passenger. >> when you come right down to it, people aren't really very good drivers. we drive distracted, we drive drunk, we drive badly. >> one woman is dead. >> and 35,000 americans wind up dying every year. >> but the driver of this car has never had a single accident. >> about 120 miles per hour or so down the straight. >> chris and his team from stanford university built this car. >> hey, that was really -- what come on cam there is no driver! >> this is shelley ourself driving audi tts. >> self driving racingg does that seem wise?atatatatatatatat. nna. hese radio connections, we can actually figure out where we are within about one to two-centimeters. >> the purpose of this research isn't just to do something am

and here again is charles osgood. >> osgood: kevin kline won an oscar for best supporting actor for his performance in the 1988 film of a fish called wanda, well my memorable roles have won him a large following, but roles have to win him over first, it is never a sure thing as you will see in tracy smith's sunday profile. >> ♪ >> he made a name for him i self as a man who can play anyone. >> i once caught a fish this big. >> from president to pa pirate. >> the cat tish to confused. >> stop dancing you big ballerina. >> mo town lover. >> i know you want to leave me to. >> madman. >> kevin kline has a reputation as an actor's actor. >> he is also famously picky about choosing his projects. >> in fact he passed on so many pictures he has become known in some hollywood circles as kevin decline. >> you actually have a nickname. >> oh, yeah. >> i guess i could have been kevin incline. i don't think i turned down as many parts and more normal actors do, you can't do everything. >> but he did in this one. >> lipitor count. >> "last vegas", film product hundred is a comedy about four long tim

and here again is charles osgood. >> osgood: kevin kline won an oscar for best supporting actor for his performance in the 1988 film of a fish called wanda, well my memorable roles have won him a large following, but roles have to win him over first, it is never a sure thing as you will see in tracy smith's sunday profile. >> ♪ >> he made a name for him i self as a man who can play anyone. >> i once caught a fish this big. >> from president to pa pirate. >> the cat tish to confused. >> stop dancing you big ballerina. >> mo town lover. >> i know you want to leave me to. >> madman. >> kevin kline has a reputation as an actor's actor. >> he is also famously picky about choosing his projects. >> in fact he passed on so many pictures he has become known in some hollywood circles as kevin decline. >> you actually have a nickname. >> oh, yeah. >> i guess i could have been kevin incline. i don't think i turned down as many parts and more normal actors do, you can't do everything. >> but he did in this one. >> lipitor count. >> "last vegas", film product hundred is a comedy about four long tim

>> osgood: good morning, i'm charles osgood and this is "sunday morning.". a special i diggs of "sunday morning.". john fitzgerald kennedy was assassinated 50 years ago this coming friday. a traumatic event that haunts our nation still. all this morning we'll be remembering the 35th president of the united states, the shooting in dallas that cut him down in the prime of life. >> ask not what your country can do for you, ask you -- ask what you can do for your country. (cheers and applause) >> osgood: young and vigorous, john f. kennedy captured the imagination of millions of americans with his vision of a new frontier. >> we choose to go to the moon in this decade and do the other things not because they are easy but because they are hard. >> it appears as though something has happened in the motorcade group. >> osgood: after dallas, the horror of his end, the dashed hopes of what might have been. throughout the morning we'll be remembering key moments of that have friday afternoon and the three days that followed and we'll be taking the measure of a kennedy

: good morning, i am charles osgood, and this is sunday morning. tuesday is election day in several of these supposedly united states. in parts of a few states some people seem ready to disunite, campaigning to break away and form a new state of their own. barry petersen will explore this modern day secessionist movie in our cover story and on to a track sport where scientifics are driven to perfect a car that doesn't need a human driver at the wheel. we will go along for ride. >> maybe you have heard of google

but in the fourt quarter, it was a perm foul on a third down fumble and osgood's penal for interference on a fa catch that gave drew brees two opportunities too many. >> i rlly felt like, you know, we had -- we stoppethem. i mean, i felt like it was a good sack. >> even in that position, i meanthere's not much you can do. so we just got to call the referees. >> made aot of mistakes in the ga. and didn'take plays when we were supposed to. >> we didn't pull it off. it's really -- it's toh. but we'll be ay. >> for the second straight game here, the 49ers did not get a kecall in end zone. vernon davisaid he was held. the touchdow flipped away and so did the 49ers opportunity to control their own dtiny for >> mindy bach, nbc bay area. >> terrelle pryor ouwith a knee injury. mcgip,'s first of the game. and it a touchdown. raiders up 7-0. third arter, raiders down 17-14. mcgloin, over the top. mcgloin's third touchdown pass of the game. raers up ve. matt schaub's pass into the end zone is broken up. raiders hang on to win 28-23. afrwards, mcgloin spoke about hidebut as a starter. >> just feels

and even charlotte osgood mason actually said and meant i am a black god. she's a very complicated figure, but she did mean that. and nancy kunard said i speak as if i were negro myself. and she actually meant it. and the problem they were posing to that community is one we still face. because what is it that we can say back to miss anne that says to her, no, you are not allowed to do in? are we going to fall back on essence? are we going to fall back on blood and biology? surely we no longer believe that, right? we believe, don't we, that race is a social construction. we don't believe that race is blood or biology or's sense. and miss anne said, all all rig, if race is a social construction because this is a period in the 1920s when that idea is being cooped, she pushed it to the limit. she said if race is a social construction, then i'm black. and harlem said, oh. [laughter] you're -- >> weren't ready for that. >> we weren't ready for that. and i think we are still struggling with that question today which is not to say she isn't a mess and not to say sh