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in this film by nina perry we see the cave of the patriarchs in hebrew on the side was shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at public space see these you know living buildings and and each reveals that's the problems are actually more or less the same that's maybe extremely exaggerated and that maybe we should be very aware of the tower we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area numerous architectural proposals are going to put forward over the decades the israeli people you know displays ten of the most
in this film by nina perry we see the cave of the patriarchs in hebrew on the side was shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly...
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in this film by nina perry we see the cave of the patriarchs in hebrew on the scientists shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the pavilion. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at the space see these you know living buildings and and each reveals that's it the problems are actually more or less the same that's maybe extremely exaggerated and that maybe we should be very aware of that our we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area where as architectural proposals are put forward over the decades the israeli purdue in displays ten of the most interesting on
in this film by nina perry we see the cave of the patriarchs in hebrew on the scientists shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the pavilion. for us what is very interesting that as a secular is we always turn our back to the really just places and...
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in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at the space see these you know living buildings and and each reveals that's it deprived limbs are actually more or less the same but it's maybe extremely exaggerated and that maybe we should be very aware of that our we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area numerous architectural proposals are put forward over the decades the israeli prevail you know displays ten of the most inte
in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly...
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in this film by nina perry we see the cave of the patriarchs and he brown the scientists shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the pavilion. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at the space see these you know living buildings and and each reveals that's the problems are actually more or less the same that's maybe extremely exaggerated and that maybe we should be very aware of that our we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area numerous architectural proposals are put forward over the decades the israeli people you know displaced ten of the most interestin
in this film by nina perry we see the cave of the patriarchs and he brown the scientists shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the pavilion. for us what is very interesting that as a secular is we always turn our back to the really just places and...
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in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at public space see these you know living buildings and and each reveals that's the problems are actually more or less the same that's maybe extremely exaggerated and that's maybe we should be very aware of that our we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area numerous architectural proposals have been put forward over the decades the israeli people you know displays ten of the most i
in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly...
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in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly we look at them as architects with the same lens we are used to look at the space see these you know living buildings and and each reveals that's it the problems are actually more or less the same that's maybe extremely exaggerated and that maybe we should be very aware of the tower we can have as architects in organizing all these living together. after israel captured arab east jerusalem in one nine hundred sixty seven the western wall suddenly became an undefined area numerous architectural proposals are put forward over the decades the israeli privilege and displays ten of the most interestin
in this film by nina perry we see the cave of the patriarchs in hebrew on the side just shared by jews and muslims. but for ten days a year they each have exclusive access one time it's a synagogue the next a mosque the changeover is overseen by the military. looking at the holy places from an architectural point of view was a whole new experience for the curators of the program. for us what is very interesting that as a secular is we always turn our back to the really just places and suddenly...