to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag. we have spider—man: no way home. we have the lost daughter, the directorial debut from maggie gyllenhaal. with olivia colman. and the tender bar, with ben affleck and directed by george clooney. spider—man, is it good? laughter. pause! yes. yes, but? this picks up straight after the previous film. the identity of spider—man is revealed as peter parker, and suddenly the whole world knows who he is and they're ready to turn against him. here's a clip. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? whoa, whoa, whoa! please don't touch her. all clamouring. you murdered mysterio? you helped to murder mysterio? all this time, people looked up to him and called him a hero. well, i call him public enemy number one! i don't want to do this ever again! mj, i'm so sorry, but i can't see anything with your hand in my... i'm sorry, i'm sorry! dude! he gasps. so, as a result of his identity being

taking us through this week's cinema releases, mark kermode is back. hello, what have you been watching? we have a modern folktale called lamb. steven spielberg's reimagining of west side story. and being the ricardos, revisiting lucille ball. really interesting week. good mixture. yeah. let's start with lamb. i want to sell this to you, 0k? yeah, yeah, i'm upforthis, yes. here's the thing, the trailer makes it look like a folk horror in the mould of the witch or something. i'm here to tell you it's not that, 0k? i know you don't like horror movies. 0k. no, it does look like that from the trailer. it's not a horror movie at all. noomi rapace — who is brilliant in almost everything — plays maria, who lives with her partner, on a very, very remote icelandic farm. when a strange lamb is born, they take the lamb into their house and start raising its as their own child. they're completely alone, and we just see the world as they see it. gradually, we start to see the lamb in the same way that they do, as more human than animal. but meanwhile, the sheep

kermode. hello, and a very warm welcome again to the film review on bbc news and, as you see, taking us through this week's releases, mark kermode is back. what have you been watching, mark? something for everyone. we have c'mon c'mon, which is the new film starring joaquin phoenix. we have encounter, in which riz ahmed struggles to save his kids from alien invaders. and silent night — a very unhappy christmas. the christmas films are here already. they are. let's start with c'mon c'mon. ok, so this is directed by mike mills — he made 20th century women. story isjoaquin phoenix and gaby hoffmann are brother and sister. they have been estranged since the death of her mother. she is called away to deal with her partner's mental health problem. she has a young sonjesse, who's intelligent but very demanding. talks all the time, loves to role—play, which is something he's got down pat with his mum, something which his uncle is not yet used to. here's a clip. so should i call you, like, poppa

i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. music: so may we start by sparks. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. 0riginally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery — hopes that were crushed when it was pushed back again to april �*21, and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable — not least because the film didn't disappoint. ably directed by beasts of no nation helmer caryjoji fukunaga, no time

now on bbc news, review 2021: the year in film with mark kermode. hello and welcome to this review of the year in film. i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. 0riginally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery, hopes that were crushed when it was pushed back again to april �*21 and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable, no

i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. originally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes to april �*21 and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable, not least because the film didn't disappoint. ably directed by beasts of no nation helmer caryjoji fukunaga, no time to die opened to strong reviews and solid box office. although, in yet another indication of how much the w

i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. so may we start by sparks plays. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. 0riginally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery — hopes that were crushed when it was pushed back again to april �*21, and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable — not least because the film didn't disappoint. ably directed by beasts of no nation helmer caryjoji fukunaga, no time

i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. 0riginally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery, hopes that were crushed when it was pushed back again to april �*21 and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable, not least because the film didn't disappoint. ably directed by beasts of no nation helmer caryjoji fukunaga, no time to die opened to strong reviews and soli

to take us through this week's cinema releases is mark kermode. so mark, what do we have this week? we have the new film starring joaquin phoenix and we have encountered in which he struggles to save his kids from alien invaders. and silent night, a very unhappy christmas. let's start with kaman. joaquin phoenix has been estranged from the mother, they have to deal with mental health problems and he has a young son named jesse who was very demanding, loves to role—play, which is something he has done packed with his mum. something which is uncle is not yet use to. here's a clip. so, should i call you, like, papa, or dad, orjustjohnny? you can call me whatever feels comfortable to you. i don't know, it'sjust, i'm not use to being able to choose. maybe we can just take this process slowly and see how it feels. yeah. and i'm just really sorry that your children died. you know, i don't think i can do that part. yeah, i told you, that's how me and mum do it. yeah, it makes sense for your mum to do that, that's cool. but it doesn't make sense for me. that's what i was explaining to you.

mark kermode looks at the turkeys from the year in review. hello and welcome to this review of the year in film. i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. 0riginally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery, hopes that were crushed when it was pushed back again to april '21 and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september '21, the sense of relief was palpable, not leas

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag this week. we have spider—man: no way home. we have the lost daughter, which is the directorial debut from maggie gyllenhaal with olivia coleman. and the tender bar, ben affleck stars in a film directed by george clooney. interesting mixture. spider—man, is a good? laughter. pause! yes, this picks up straight after the previous film. the identity of spider—man is revealed as peter parker — suddenly the whole world knows who he is and they're all ready to turn against him. here's a clip. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? _ whoa, whoa, whoa! please don't touch her. you're just a kid? all clamouring. all this time, people looked up to him and called him a hero. well, i'll tell you what i call him — i call him public enemy numberone! i don't want to do this everagain! l i'm so sorry, but i can't see anything with your hand in my... i'm sorry, i'm sorry! dude! he gasps. so

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag. we have spider—man: no way home. we have the lost daughter, the directorial debut from maggie gyllenhaal. with olivia colman. and the tender bar, with ben affleck and directed by george clooney. interesting mixture. spider—man, is a good? laughter. pause! yes. yes, but? this picks up straight after the previous film. the identity of spider—man is revealed as peter parker, and suddenly the whole world knows who he is and they're ready to turn against him. here's a clip. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? whoa, whoa, whoa! please don't touch her. all clamouring. you murdered mysterio? you helped to murder mysterio? all this time, people looked up to him and called him a hero. well, i call him public enemy number one! i don't want to do this ever again! mj, i'm so sorry, but i can't see anything with your hand in my... i'm sorry, i'm sorry! dude! he gasps. so, as a result of

kermode is back. what have you been watching, mark? something for everyone. we have c'mon c'mon, which is the new film starring joaquin phoenix. we have encounter, in which riz ahmed struggles to save his kids from alien invaders. and silent night — a very unhappy christmas. the christmas films are here already. they are. let's start with c'mon c'mon. ok, so this is directed by mike mills — he made 20th century women. story isjoaquin phoenix and gaby hoffmann are brother and sister. they have been estranged since the death of their mother. she is called away to deal with her partner's mental health problem. she has a young son, jesse, who's intelligent, but very demanding. talks all the time, loves to role—play, which is something he's got down pat with his mum, something which his uncle is not yet used to. here's a clip. so should i call you, like, poppa or dad orjustjohnny? you can call me whatever feels comfortable to you. i don't know, it'sjust — i'm not used to being able to choose. maybe

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching?— we have spider—man: no way home. we have the lost daughter, the directorial debut from maggiejill directorial debut from maggie jill and home. in the tender bar. directed by george clooney. interesting mixture. spider—man, is a good? laughter pause!— a good? laughter pause! , , , , . pause! yes, this picks up straight after the previous _ pause! yes, this picks up straight after the previous film. _ pause! yes, this picks up straight after the previous film. the - after the previous film. the identity of spider—man is revealed as peter parker, and suddenly the whole world knows who he is and they're determined against it. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? whoa, whoa, whoa! please don't touch her. all clamouring. all this time, people looked up to this glorious hero. well, i call him public enemy number one! i don't want to do this ever again! i'm so sorry, but i can't see anything

taking us through this week's cinema releases, mark kermode is back. hello, what have you been watching? we have a modern folktale called lamb. steven spielberg's reimagining of west side story. and being the ricardos, revisiting lucille ball. really interesting week. good mixture. yeah. let's start with lamb. i want to sell this to you, 0k? yeah, yeah, i'm upforthis, yes. here's the thing, the trailer makes it look like a folk horror in the mould of the witch or something. i'm here to tell you it's not that, 0k? i know you don't like horror movies. 0k. no, it does look like that from the trailer. it's not a horror movie at all. noomi rapace — who is brilliant in almost everything — plays maria, who lives with her partner, on a very, very remote icelandic farm. when a strange lamb is born, they take the lamb into their house and start raising it as their own child. they're completely alone, and we just see the world as they see it. gradually, we start to see the lamb in the same way that they do, as more human than animal. but meanwhile, the sheep

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag this week. we have spider—man: no way home. we have the lost daughter, which is the directorial debut from maggie gyllenhaal with 0livia coleman. and the tender bar, ben affleck stars in a film directed by george clooney.

kermode is back. what have you been watching, mark? something for everyone. we have c'mon c'mon, which is the new film starring joaquin phoenix. we have encounter, in which riz ahmed struggles to save his kids from alien invaders. and silent night — a very unhappy christmas. the christmas films are here already. they are. let's start with c'mon c'mon. ok, so this is directed by mike mills — he made 20th century women. story isjoaquin phoenix and gaby hoffmann are brother and sister. they have been estranged since the death of her mother. she is called away to deal with her partner's mental health problem. she has a young sonjesse, who's intelligent but very demanding. talks all the time, loves to role—play, which is something he's got down pat with his mum, something which his uncle is not yet used to. here's a clip. so should i call you, like, poppa or dad orjustjohnny? you can call me whatever feels comfortable to you. i don't know, it'sjust — i'm not used to being able to choose. maybe we c

to take us through this week's cinema releases is mark kermode. what have you been watching? we have a modern folktale called lamb. steven spielberg's reimagining of west side story. and being the ricardo�*s, revisiting lucille ball. i want to sell this to you, i'm up for this. . .,~ , i want to sell this to you, i'm up for this. . ., ~ , ., ., ~' for this. the trailer makes it look like a folk _ for this. the trailer makes it look like a folk hole _ for this. the trailer makes it look like a folk hole or. _ for this. the trailer makes it look like a folk hole or. i'm _ for this. the trailer makes it look like a folk hole or. i'm here - for this. the trailer makes it look like a folk hole or. i'm here to i like a folk hole or. i'm here to tell you it's not that. i know you don't like scary movies. it's not a horror movie at all. maria, who lives with her partner, on a very remote icelandic farm. when a strange lamb is born, they take it into their house and start raising its as their own child. they're completely alone and we just see the world as they see it. gradually, we

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag. we have spider—man: no way home. we have the lost daughter, the directorial debut from maggie gyllenhaal. it's olivia colman. and the tender bar, directed by george clooney. interesting mixture. spider—man, is a good? laughter. pause! yes. yes, but? this picks up straight after the previous film. the identity of spider—man is revealed as peter parker, and suddenly the whole world knows who he is and they're ready to turn against him. here's a clip. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? whoa, whoa, whoa! please don't touch her. all clamouring. you murdered mysterio? you helped to murder_ you murdered mysterio? you helped to murder mysterio? — all this time, people looked up to him and called him a hero. well, i call him public enemy number one! i don't want to do this ever again! mj, i'm so sorry, but i can't see anything with your hand in my... i'm sorry, i'm sorry! dude!

taking us through this week's cinema releases, mark kermode is back. hello, what have you been watching? we have a modern folktale called lamb. steven spielberg's reimagining of west side story. and being the ricardos, revisiting lucille ball. really interesting week. good mixture. yeah. let's start with lamb. i want to sell this to you, ok? yeah, yeah, i'm upforthis, yes. here's the thing, the trailer makes it look like a folk horror in the mould of the witch or something. i'm here to tell you it's not that, ok? i know you don't like horror movies. 0k. no, it does look like that from the trailer. it's not a horror movie at all. noomi rapace — who is brilliant in almost everything — plays maria, who lives with her partner, on a very, very remote icelandic farm. when a strange lamb is born, they take the lamb into their house and start raising its as their own child. they're completely alone, and we just see the world as they see it. gradually, we start to see the lamb in the same way that they do, as more human than animal. but meanwhile, the sheep

kermode is back. what have you been watching, mark? something for everyone. we have c'mon c'mon, which is the new film starring joaquin phoenix. we have encounter, in which riz ahmed struggles to save his kids from alien invaders. and silent night — a very unhappy christmas. the christmas films are here already. they are. let's start with c'mon c'mon. ok, so this is directed by mike mills — he made 20th century women. story isjoaquin phoenix and gaby hoffmann are brother and sister. they have been estranged since the death of their mother. she is called away to deal with her partner's mental health problem. she has a young son, jesse, who's intelligent, but very demanding. talks all the time, loves to role—play, which is something he's got down pat with his mum, something which his uncle is not yet used to. here's a clip. so should i call you, like, poppa or dad orjustjohnny? you can call me whatever feels comfortable to you. i don't know, it'sjust — i'm not used to being able to choose. maybe

taking us through this week�*s cinema releases, mark kermode is back. hello, what have you been watching? we have a modern folktale called lamb. steven spielberg�*s reimagining of west side story. and being the ricardos, revisiting lucille ball. really interesting week. good mixture. yeah. let�*s start with lamb. i want to sell this to you, ok? yeah, yeah, i�*m upforthis, yes. here�*s the thing, the trailer makes it look like a folk horror in the mould of the witch or something. i�*m here to tell you it�*s not that, ok?

i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. music: so may we start by sparks. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. originally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery — hopes that were crushed when it was pushed back again to april �*21, and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall

i'm mark kermode, and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. originally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery, hopes that were crushed when it was pushed back again to april �*21 and then again to autumn. shall we cut to the chase? so when craig's bond swan song was finally unveiled at the albert hall at the end of september �*21, the sense of relief was palpable, not least because the film didn't disappoint. ably directed by beasts of no nation helmer caryjoji fukunaga, no time to die opened to strong reviews and soli

kermode is back. what have you been watching, mark? something for everyone. we have c'mon c'mon, which is the new film starring joaquin phoenix. we have encounter, in which riz ahmed struggles to save his kids from alien invaders. and silent night — a very unhappy christmas. the christmas films are here already. they are. let's start with c'mon c'mon.

now on bbc news, review 2021: the year in film with mark kermode.

i'm mark kermode, and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021.

at half past, mark kermode looks back at the cinematic highs and lows of 2021 — including the return of james bond and an oscar—winning perfromance from anthony hopkins. good morning. the hospitality sector has welcomed the decision not to impose further coronavirus restrictions in england this week, describing it as a "lifeline" to pubs, bars and clubs relying on new year trade for their survival. the health secretary, sajid javid, announced yesterday that the government would wait untiljanuary before re—evaluating the situation in england. but scotland, wales and northern ireland have all introduced further restrictions this week. people in wales and scotland are living with curbs on hospitality, including the closure of nightclubs. and all three nations have imposed restrictions on social mixing indoors. some of the scientists who advise the westminster government say ministers in england are acting "on the optimistic end of the spectrum" in terms of assessing the impact of the omicron spread. record numbers of coronavirus cases were recorded in england on christmas day. here'

and in half an hour, mark kermode and jane hill take us through this week's cinema releases in the film review. good evening. health officials have renewed their call for everyone who's eligible to get their covid boosterjab. new modelling suggests the uk could be facing a bigger wave of infections than back injanuary. a further 633 omicron cases have been recorded in the past 2a hours. that is the uk's biggestjump in the new variant infection so far. but there's still uncertainty about how many people may need hospital care, and how much pressure will be on the nhs. here's our health correspondent, katharine da costa. at vaccine centres around the uk, including this one in grimsby, the race is on to get even more jabs into arms and boost our defences against what may become the biggest wave of covid infections we've seen so far. it's more worrying, i think, because we don't know exactly what's going to happen, so it's betterjust to be safe. ijust want to protect people as well that i'm going to be in contact with. the new variant omicron is spreading fast, doubling every 2.5 days. new

and at 5.45 — find out what mark kermode thinks of c�*mon c�*mon, starring joaquin phonix, and the week�*s other big cinema releases — in the film review. good afternoon and welcome to bbc news. a woman who murdered her boyfriend�*s six—year—old son has been jailed for life. arthur labinyo—hughes was starved and beaten by emma tustin, who has been told she will serve at least 29 years in prison. arthur�*s father, thomas hughes, has been jailed for 21 years for manslaughter. the judge at coventry crown court said the boy led a lonely and solitary life and that the couple�*s actions were spiteful, dehumanising and sadistic. our correspondent helena wilkinson was at the court — and just to warn you, some of the details she gave us are distressing. the judge today, when he sentenced tustin and hughes, and important to point out tustin was brought to the court here, however she refused to come to the courtroom to be sentenced. she remained in the cells but the judge continued as if she was in the courtroom when he sentenced the pair today. the judge said the case was one of

find out what mark kermode thinks of theirs, it is of course stephen spielberg's west side story. add the rest of the main releases in the film review at 5:45pm. an inquestjury has concluded that police errors probably contributed to the deaths of three young men who were murdered by the serial killer, stephen port. the jury found that flaws in the investigation into the first death in east london, meant he was free to kill three more times before he was caught. port is serving life for the murders in 2014 and 2015. the families of the victims believe the police failures were partly driven by homophobia — a charge the met denies. helena wilkinson has more for life truly cut short, fashion student anthony walker, caprari, young chef daniel whitworth, and forklift driverjack taylor from dagenham. all murdered with the date rape drug ghb, but the police could stop the killing. the men's police had all been discovered in the same small area of barking in east london, overa small area of barking in east london, over a period of less than a year and a quarter. detectives simply did no

and find out what mark kermode thinks of "spiderman: no way home", and the week's other main cinema releases — that's coming up at in the film review at 5.45. good evening. the liberal democrats have called their victory in the north shropshire by—election a "watershed moment" for british politics, after the party overturned a conservative majority of 23,000 — winning by nearly 6,000 votes. the prime minister is facing questions about his political future, after losing a seat the party had held for nearly 200 years. he has called the result disappointing and says he totally understands people's frustrations. the by—election was caused by the resignation of 0wen paterson, after he was found to have breached parliamentary lobbying rules. 0ur political correspondent jonathan blake reports. three, two, one! celebration in shropshire, and the message was clear from the winning party — this was a verdict on borisjohnson and his government. this isn'tjust an upset, it's a political earthquake. for the first time in almost two centuries, the once true blue market towns and villages of nort

it is now time for mark kermode to look at the movie releases that made it onto the screen is big and small, of course, in his review of 2021. hello and welcome to this review of the year in film. i'm mark kermode and i'm here at the beautiful cinema museum in south london, where i'll be rounding up the highs and lows of 2021. in a year when cinemas once again struggled with the closures, cancellations and uncertainties of covid, the biggest film story was surely the long—delayed release of no time to die. why would i betray you? we all have our secrets. we just didn't get to yours yet. originally slated to open in early 2020, daniel craig's final outing as 007 became the first high—profile release to announce a major covid—related postponement last year. for many uk cinemas, the new november 2020 opening date was a mast to which to tie their hopes of recovery — hopes that were crushed when it was pushed back again to april '21, and then again to autumn. shall we cut to the chase? so when craig's bond swansong was finally unveiled at the albert hall at the end of september '21

to take us through this week's cinema releases is mark kermode. hi, mark. what have you been watching? very mixed bag this week. we have spider—man: no way home. we have the lost daughter, which is the directorial debut from maggie gyllenhaal with 0livia coleman. and the tender bar, directed by george clooney. interesting mixture. spider—man, is a good? laughter pause! yes, this picks up straight after the previous film. the identity of spider—man is revealed as peter parker — suddenly the whole world knows who he is and they're all ready to turn against him. here's a clip. that's right, folks — spider—man is, in fact, peter parker! are you spider—man's girlfriend? whoa, whoa, whoa! please don't touch her. you're just a kid? all clamouring. all this time, people looked up to him and called him a hero. well, i call him public enemy number one! i don't want to do this ever again! i'm so sorry, but i can't see anything with your hand in my... i'm sorry, i'm sorry! dude! he gasps. so, as a result of his identity being revealed, his world starts to

and, as you see, taking us through this week's cinema releases is mark kermode — he's back. what have you been watching? come on come on, saving a kids from alien invaders. and silent night, a very unhappy christmas. christmas films are here. they are. let's start with come on, come on. this is by mike mills and joaquin phoenix and gabby hoffman a brother and sister, they have been estranged since the death of her mother and she is called away to deal with her partner public mental health problem and has a young sonjesse was intelligent but demanding and talks all the time, loves to role—play which is something he has got down pat with his mum. something which his uncle is not yet used to. here is a clip. so should i kind of like do dad or dan would johnny? you can call me whateverfeels do dad or dan would johnny? you can call me whatever feels comfortable. i don't know, i'm not used to being able idon't know, i'm not used to being able to— i don't know, i'm not used to being able to choose.— able to choose. maybe we can “ust take this process i able to choose. maybe