9
9.0
Dec 23, 2021
12/21
by
Bowles, Dorothy A
texts
eye 9
favorite 0
comment 0
xiv, 418 p. : 28 cm
Topics: Journalism -- Editing, Editing
9
9.0
Apr 11, 2022
04/22
by
Bowles, Dorothy A., author
texts
eye 9
favorite 0
comment 0
xvi, 412 pages : 28 cm
Topics: Journalism -- Editing, Editing
15
15
Jun 10, 2011
06/11
by
Publications Epm
texts
eye 15
favorite 0
comment 0
121 pages
Topics: Editing -- Directories, Editing -- Bibliography -- Periodicals, Editing
7
7.0
Nov 13, 2021
11/21
by
Brooks, Brian S
texts
eye 7
favorite 0
comment 0
xi, 420 p. : 24 cm
Topics: Journalism -- Editing, Copy editing
8
8.0
texts
eye 8
favorite 1
comment 0
xi, 231 p. :
Topics: RNA editing, RNA Editing
7
7.0
Jan 13, 2022
01/22
by
LaRocque, Paul, 1931-
texts
eye 7
favorite 1
comment 0
160 p. ; 21 cm
Topics: Journalism -- Editing, Copy editing
37
37
Mar 13, 2020
03/20
by
Baskette, Floyd K
texts
eye 37
favorite 1
comment 0
ix, 534 pages : 27 cm
Topics: Journalism -- Editing, Copy editing
4
4.0
Jan 27, 2022
01/22
by
Brooks, Brian S
texts
eye 4
favorite 0
comment 0
xiv, 354 p. : 24 cm
Topics: Journalism -- Editing, Copy editing
236
236
Apr 14, 2018
04/18
by
Bowles, Dorothy A; Borden, Diane L
texts
eye 236
favorite 7
comment 0
Includes bibliographical references and index
Topics: Journalism, Editing, Journalism -- Editing
Source: removedNEL
21
21
software
eye 21
favorite 0
comment 0
maut edits Human Powered - Photo Editing Services maut edits makes your photos look best. You can easily submit photos from computer, phone, tablet, or even by Email
Topic: editing
99
99
movies
eye 99
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comment 0
This 20 second excerpt from the film Bad Lieutenant (A. Ferrara, 1992, copyright © 1992 Lt. Productions, Inc.) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Cuts can be made even more conspicuous by intentionally breaking continuity on screen. In the following excerpt, a series of jump cuts show the...
Topic: editing
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89
movies
eye 89
favorite 0
comment 0
This 18 second excerpt from the film Subway (L. Besson, 1985, copyright © 1985 Les Films du Loup – TSF Productions – Gaumont – TF1 Films Production) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , sound has been cut out, resolution limited to 360p and the clip has been shortened to only encompass the subject of interest. In the following excerpt, "The Rollerskater" and "The Drummer"...
Topic: editing
102
102
movies
eye 102
favorite 0
comment 0
This 10 second excerpt from the film The Avengers: Homicide and Old Lace (J. Hough, 1969, copyright © 1968-1969 Canal+ Image UK Ltd.) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Some stories include fictitious action, which calls out for daring editing techniques. In the following excerpt,...
Topic: editing
13
13
Jan 13, 2021
01/21
by
Shillingsburg, Peter L
texts
eye 13
favorite 0
comment 0
x, 178 p. ; 23 cm
Topic: Editing
121
121
movies
eye 121
favorite 1
comment 0
This 9 second excerpt from the film Max Payne (J. Moore, 2008, copyright © 2008 Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in all territories except Brazil, Italy, Japan, Korea and Spain; TCF Hungary Film Rights Exploitation Limited Liability Company, Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in Brazil, Italy, Japan, Korea and Spain) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine...
Topic: editing
162
162
movies
eye 162
favorite 1
comment 0
This 7 second excerpt from the film The Man Who Would Be King (J. Huston, 1975, copyright © 1975 Devon Company) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , sound has been cut out, resolution limited to 360p and the clip has been shortened to only encompass the subject of interest. In the following excerpt, a Close Shot of a golden arrow being trampled on is inserted into a Full Shot showing Danny, Peachy...
Topic: editing
125
125
movies
eye 125
favorite 0
comment 0
This 21 second excerpt from the film For a Few Dollars More (S. Leone, 1965, copyright © 1965 Sergio Leone and Fulvio Morsella) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. In the following excerpt, a scene of a man fetching another one at the barber is inserted into the main scene -- Cavanagh playing...
Topic: editing
71
71
movies
eye 71
favorite 0
comment 0
This 21 second excerpt from the film The Killer (J. Woo, 1989, copyright © 1989 Film Workshop Co. Ltd.) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Thanks to editing, movies are not bound to present scenes in chronological order. In the following excerpt, when Li Ying and Hong Kong police staff are...
Topic: editing
23
23
software
eye 23
favorite 0
comment 0
Picture Editor
Topic: Editing
122
122
movies
eye 122
favorite 1
comment 0
This 8 second excerpt from the film Pirates of the Caribbean – On Stranger Tides (R. Marshall, 2011, copyright © 2011 Disney Enterprises, Inc.) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. It is important to note that whenever we are presented with successive shots of different parts of a subject — all sharing approximately...
Topic: editing
413
413
movies
eye 413
favorite 0
comment 0
This 6 second excerpt from the film Titanic (J. Cameron, 1997, copyright © 1997 Paramount Pictures Corporation and Twentieth Century Fox Film Corporation) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Editing shots that share roughly the same scale and viewing axis is like putting the camera into an ‘elevator’ and taking it up...
Topic: editing
16
16
Mar 22, 2013
03/13
by
O'Neill, Carol L; Ruder, Avima, joint author
texts
eye 16
favorite 0
comment 0
Bibliography: p. 228-233
Topic: Editing
10
10.0
Sep 24, 2020
09/20
by
Sharpe, Leslie T
texts
eye 10
favorite 4
comment 0
xi, 227 p. ; 24 cm
Topic: Editing
3
3.0
Jun 25, 2022
06/22
by
Howard-Johnson, Carolyn
texts
eye 3
favorite 0
comment 0
xx, 167 p. : 23 cm
Topic: Editing
10
10.0
Oct 13, 2021
10/21
by
Shillingsburg, Peter L
texts
eye 10
favorite 1
comment 0
xvi, 187 p. ; 24 cm
Topic: Editing
Edit Lister 3 User Manual Comprehensive Video Supply Corp.
Topics: Video editing, video, editing, EDL
400
400
Nov 8, 2011
11/11
by
Einsohn, Amy
texts
eye 400
favorite 4
comment 0
Includes bibliographical references (p. 527-530) and index
Topics: Copy editing, Journalism, Commercial, Editing
Source: removedNEL
87
87
movies
eye 87
favorite 0
comment 0
This 11 second excerpt from the film Ghostbusters (I. Reitman, 1984, copyright © 1984 Columbia Pictures Industries, Inc.) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Time can be stretched out through cuts, either transparently or blatantly. In the following excerpt, the team tries their proton packs...
Topic: editing
80
80
movies
eye 80
favorite 0
comment 0
This 4 second excerpt from the film Little Big Man (A. Penn, 1970, copyright © 1970 Hiller Productions) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Each time we are presented with a new shot, our brain is challenged and needs a few frames to figure out what's going on. However -- or because of this --...
Topic: editing
3
3.0
Mar 7, 2019
03/19
by
Editorial Conference. (3d : 1967 : University of Toronto)
texts
eye 3
favorite 0
comment 0
viii, 132 p. 23 cm
Topic: Editing
9
9.0
Nov 4, 2021
11/21
by
Billingham, Jo
texts
eye 9
favorite 0
comment 0
136 p. : 21 cm
Topic: Editing
15
15
Nov 26, 2018
11/18
by
None
texts
eye 15
favorite 0
comment 0
vii, 101 pages ; 23 cm
Topic: Editing
9
9.0
Jun 5, 2020
06/20
by
Que, Daolong
texts
eye 9
favorite 0
comment 0
3, 3, 4, 475 pages ; 21 cm
Topic: Editing
144
144
movies
eye 144
favorite 0
comment 0
This 18 second excerpt from the film Kill Bill Vol. 1 (Q. Tarantino, 2003, copyright © 2003 Supercool Manchu, Inc.) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Parallel-axis cuts with multiple subjects make it even clearer that we are scanning the action from our own view point. In the following excerpt, a series of...
Topic: editing
154
154
movies
eye 154
favorite 0
comment 0
This 3 second excerpt from the film Underworld (L. Wiseman, 2003, copyright © 2003 Subterranean Productions LLC) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , sound has been cut out, resolution limited to 360p and the clip has been shortened to only encompass the subject of interest. Parallel-axis cuts have a very interesting side effect when dealing with two characters at different heights (e.g. one standing character and one...
Topic: editing
99
99
movies
eye 99
favorite 0
comment 0
This 16 second excerpt from the film Cast Away (R. Zemeckis, 2000, copyright © 2000 Twentieth Century Fox Film Corporation and DreamWorks LLC) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. In the following excerpt, Chuck finally succeeds in building a fire by rubbing a stick against a piece of wood. We...
Topic: editing
105
105
movies
eye 105
favorite 0
comment 0
This 19 second excerpt from the film The Killer (J. Woo, 1989, copyright © 1989 Film Workshop Co. Ltd.) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Editing can play with the codes at the point of having a recognizable, conspicuous shape. For instance, a scene can be edited so as to alternate in rhythm...
Topic: editing
85
85
movies
eye 85
favorite 0
comment 0
This 12 second excerpt from the film Babel (A. G. Iñárritu, 2006, copyright © 2006 Babel Productions Inc.) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Editing can play with the codes at the point of having a recognizable, conspicuous shape. For instance, a scene can be edited so as to alternate in...
Topic: editing
70
70
movies
eye 70
favorite 0
comment 0
This 39 second excerpt from the film Birdy (A. Parker, 1984, copyright © 1984 Tri-Star Pictures) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Time can be stretched out through cuts, either transparently or blatantly. In the following excerpt, a montage sequence is used to emphasize Birdy's fall, from...
Topic: editing
105
105
movies
eye 105
favorite 0
comment 0
This 11 second excerpt from the film Rambo: First Blood Part II (G. Cosmatos, 1985, copyright © 1985 Anabasis Investments, N.V.) introduces the way editing changes our relationship to space. In order to comply with the Fair Use doctrine in teaching and research , sound has been cut out, resolution limited to 360p and the clip has been shortened to only encompass the subject of interest. The fast-paced cut of a movie is a stimulation in itself, even when our brain fails to process the meaning...
Topic: editing
87
87
Sep 20, 2010
09/10
by
Dalgliesh, Alice, 1893-1979; Milhous, Katherine, 1894-1977, illus
texts
eye 87
favorite 3
comment 0
6 p. l., 208 p. 21 cm
Topic: Editing
74
74
Aug 20, 2012
08/12
by
Leslie T. Sharpe
texts
eye 74
favorite 1
comment 0
Topic: Editing.
Source: removedNEL
5
5.0
texts
eye 5
favorite 1
comment 0
112
112
movies
eye 112
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This 6 second excerpt from the film Jurassic Park (S. Spielberg, 1993, copyright © 1993 Universal City Studios, Inc. and Amblin Entertainment, Inc.) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Parallel-axis cuts with multiple subjects make it even clearer that we are scanning the action from our own view point. In the following...
Topic: editing
125
125
movies
eye 125
favorite 0
comment 0
This 5 second excerpt from the film Max Payne (J. Moore, 2008, copyright © 2008 Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in all territories except Brazil, Italy, Japan, Korea and Spain; TCF Hungary Film Rights Exploitation Limited Liability Company, Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in Brazil, Italy, Japan, Korea and Spain) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research ,...
Topic: editing
138
138
movies
eye 138
favorite 0
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This 3 second excerpt from the film Vertigo (A. Hitchcock, 1958, copyright © 1958 Alfred J. Hitchcock Productions, Inc. and Paramount Pictures Corporation / 1996 Leland H. Faust, Patricia Hitchcock O'Connell and Kathleen O'Connell Fiala, Trustees under the Alfred J. Hitchcock Trust) demonstrates a parallel-axis cut. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest....
Topic: editing
122
122
movies
eye 122
favorite 1
comment 0
This 7 second excerpt from the film Terminator 2 – Judgment Day (J. Cameron, 1991, copyright © 1991 Carolco Pictures Inc. (United States & Canada; Carolco International N.V. (all other countries)) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. In the following excerpt, the T-1000 -- dressed as a cop...
Topic: editing
179
179
movies
eye 179
favorite 0
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This 19 second excerpt from the film Commando (M. L. Lester, 1985, copyright © 1985 Twentieth Century Fox Film Corporation) introduces the way editing changes our relationship to time. In order to comply with the Fair Use doctrine in teaching and research , resolution is limited to 360p and the clip has been shortened to only encompass the subject of interest. Cuts can be made even more conspicuous by intentionally breaking continuity on screen. In the following excerpt, a montage sequence...
Topic: editing
163
163
movies
eye 163
favorite 0
comment 0
This 14 second excerpt from the film Max Payne (J. Moore, 2008, copyright © 2008 Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in all territories except Brazil, Italy, Japan, Korea and Spain; TCF Hungary Film Rights Exploitation Limited Liability Company, Twentieth Century Fox Film Corporation and Dune Entertainment III LLC in Brazil, Italy, Japan, Korea and Spain) introduces the way editing changes our relationship to space. In order to comply with the Fair Use...
Topic: editing
